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Crafter Dreadnoughts: What Changes as You Strum Harder?

Updated 10/13/2026
Crafter Dreadnoughts: What Changes as You Strum Harder?

Crafter's MIND, STG, and VL dreadnoughts differ in bass and note separation under hard strumming depending on top wood and cutaway, so choose by how hard you play.

The most confusing part of choosing a Crafter dreadnought is that the line name (MIND, STG, VL) seems to define the sound, when top and back/side woods and the cutaway matter more. Strum a chord with the same force and the amount of bass buildup, and how clearly each string separates, can still differ from model to model.

This guide revisits twelve models by strum intensity, from soft arpeggios to hard flatpicking. It explains the impressions that mahogany, spruce, and cedar tops and mahogany, rosewood, and ebony back/sides tend to give, and pairs models with identical wood so you can compare lines directly.

How to read this list

  • If you strum hard and hate muddy bass, start with Nos. 1 and 4.
  • For songs with big soft-to-loud swings, look at Nos. 2, 5, and 10.
  • For light, quick response, look at Nos. 6 and 9.

Specs are as of September 2026 and may change.

01

Crafter MIND D-15e Pro

A non-cutaway MIND dreadnought with African mahogany top and back/sides. Mahogany is usually described as less shimmery than spruce, but it keeps bass gathered near the midrange under hard strumming, so chords stay clear. A good baseline for heavy strummers who like a tidy sound.
Crafter MIND D-15e Pro
02

Crafter MIND D-16e Pro

Same non-cutaway body as the D-15e Pro, but with a solid Alpine spruce top. Spruce is commonly said to have a wider dynamic range than mahogany, so the jump from soft arpeggio to hard strum feels bigger. It suits songs that swing between quiet and loud.
Crafter MIND D-16e Pro
03

Crafter MIND D-16e Fingy Pro VVS

The top is solid torrefied Sitka spruce, and the nut widens to 44.5mm, the only one on this list. Torrefied tops are generally described as aiming for a more open sound. The wide nut matters more for the fretting hand: fingers get room, but smaller hands may tire on barre chords.
Crafter MIND D-16e Fingy Pro VVS
04

Crafter STG D-15e Pro

A non-cutaway STG dreadnought with the same African mahogany top and back/sides as the MIND D-15e Pro. Only the line differs, so any audible gap likely comes from internal construction or unit variation rather than wood. A handy pair to strum back to back in one shop.
Crafter STG D-15e Pro
05

Crafter STG D-16ce Pro

A cutaway dreadnought with a solid Engelmann spruce top and layered African mahogany back/sides. The cutaway itself barely changes strummed tone, though the bracing layout can differ from non-cutaway models. It suits accompanists who also want high-position access.
Crafter STG D-16ce Pro
06

Crafter STG D-17ce Pro

A cutaway dreadnought with a solid Western red cedar top. Cedar is often described as quick in attack and easy to wake with a light touch. The trade-off is that under a very hard strum it can seem to saturate sooner.
Crafter STG D-17ce Pro
07

Crafter STG D-20ce Pro

The top returns to solid Engelmann spruce, with layered Indian rosewood back/sides, in a cutaway body. Rosewood is often described as spreading bass and treble further apart than mahogany. It suits players who want each chord note to stand out.
Crafter STG D-20ce Pro
08

Crafter STG D-22ce Pro

A cutaway dreadnought whose back/sides are layered macassar ebony. Ebony is usually described as having denser overtones than rosewood. Whether that reads as firm, defined bass or a slightly closed-in sound under hard strumming depends on taste.
Crafter STG D-22ce Pro
09

Crafter STG D-18ce Pro

A cutaway dreadnought with a Western red cedar top and layered Indian rosewood back/sides. The top matches No. 6, the D-17ce Pro, so you can hear the effect of the back/sides alone, since sustain and the tail can shift under a hard strum.
Crafter STG D-18ce Pro
10

Crafter STG D-28ce Pro

The upper STG pairing: solid Engelmann spruce top, layered macassar ebony back/sides, cutaway body. It joins spruce's wide dynamic range with ebony's dense overtones. Suits players who want one guitar for soft fingerstyle through hard flatpicking.
Crafter STG D-28ce Pro
11

Crafter VL D-28ce Pro VVS

A VL-line cutaway dreadnought with a solid torrefied Sitka spruce top and layered macassar ebony back/sides. The torrefied top is described as sounding more open than the STG D-28ce Pro. Units still vary within one wood pairing, so strum the two side by side at equal strength.
Crafter VL D-28ce Pro VVS
12

Crafter VL D-20ce Pro

A VL-line cutaway dreadnought with a solid Engelmann spruce top and layered Indian rosewood back/sides. It shares its woods with No. 7, the STG D-20ce Pro, so it shows whether the line itself makes an audible difference. A fit for rosewood fans weighing price gaps between lines.
Crafter VL D-20ce Pro

How to choose

If you strum hard and dislike blurry chords, the mahogany pairings at Nos. 1 and 4 are the place to start. For wide dynamic swings, try the spruce-top Nos. 2, 5, and 10; for light, fast response, the cedar-top Nos. 6 and 9.

Nos. 1 and 4, 7 and 12, and 10 and 11 share woods, so they separate line differences from unit variation. Information reflects the research date and may change, so check official channels before buying.

Frequently asked questions

Do dreadnoughts always produce a lot of bass?

The wide body favors bass, but how much and how controlled it sounds depends on the top and back/side woods. Mahogany tops are described as gathering bass closer to the midrange, while spruce is described as having a wider dynamic range.

Does having a cutaway change the strummed sound?

The cutaway itself does not change the sound much. The internal bracing layout can differ from non-cutaway models, though, so it is worth comparing bass under hard strumming against the D-15e Pro models.

What is the best way to test strumming character in a shop?

Play the same riff once softly and once hard, and listen for whether the bass turns muddy or the strings stay separated. Recording yourself and listening back also reveals differences you miss while playing.

Which woods suit hard-strummed accompaniment?

On this list, the mahogany-top MIND D-15e Pro and STG D-15e Pro are described as keeping bass near the midrange even when played hard. Taste varies a lot, so decide after playing them yourself.

Who is the wide-nut model for?

The MIND D-16e Fingy Pro VVS has a 44.5mm nut, the only wide one here. It gives fingers more room, but smaller hands may find barre chords tiring, so hold the shapes yourself first.

If two models share the same woods, do different lines sound different?

The MIND and STG D-15e Pro, and the STG and VL D-20ce Pro, share wood pairings. Any difference is more likely internal construction or unit variation than wood, so compare them back to back in the same place.

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Crafter Dreadnoughts: 12 Models Compared by Strumming | Golladream